8:00pm Ron Heglin
- voice, and Lorin Benedict
9:00pm Andrea Centazzo - electroacoustic percussion with Matt Davignon
- electronic percussion
In collaboration with the Italian Culture Institute of San FranciscoLorin Benedict
is an improvising vocalist (scat singer, essentially) living in Oakland. He attempts to introduce more structurally involved elements into the field of vocal improvisation. Most of his work in this area is centered loosely in the jazz idiom. Recently, Lorin has co-led small groups (duos, trios) in which the roles of the musicians are somewhat mutable even in contexts where highly structured forms are being played. Examples include Bleeding Vector with Berkeley guitarist Eric Vogler, and another duo project with east bay saxophonist Kasey Knudsen. Together, these three musicians jointly lead the trio project, The Holly Martins. He has also co-led another duo project with Oakland-based drummer Sam Ospovat. Lorin joined the fold of musicians rather late in life, at the age of 31, after many years of listening to recordings and live performances, many of which involved members of his immediate family (all of whom are/were orchestral musicians in the western classical tradition).Ron Heglin
is a Trombonist and Vocalist working with extended technique on the Trombone and with spoken and sung imaginary languages as a Vocalist.His vocal music has been influenced by his study of North Indian vocal music. He works both compositionally and in an improvisational mode and is a member of the Bay Area music context as well as performing internationally. He is a founding member of the groups MUSIC FOR ALL OCCASIONS, ROTODOTI, and BRASSIOSAURUS, and has performed with the Merce Cunningham Dance Company, Leo Smith, Henry Brant, Logos Duo, Tim Perkis, John Bischoff,Tom Djll,and Toyoji Tomita. He has these words to say about his music "process": "I think we choose a tuning for ourselves earley on and then gather those practices together to support and enhance that tuning and this practice becomes our way to know what we are experiencing in the everyday,and if we neglect these practices that constitute our music then we lose our awareness of what we are experiencing.Often it seems that when I begin to sing or play there are surprises in my consciousness and in my body and and there is this task of integrating this new information: this is the practice, or part of it. This is the edge of not knowing and the acceptance of this edge seems a very exciting place and hopefully continues to be a place where new integrations ( or awareness of chaos) can take place.Is this place the void?"
Italian American composer, percussionist and multimedia artist Andrea Centazzo has been for 40 years a bold explorer of contemporary art. In the early 70's he introduced a new concept of percussion playing, migrating from the Free Jazz to a new form of improvised music, defining itself.
In the late 70's, Centazzo was one of the founders of the NY Downtown Music Scene with his seminal collaboration with John Zorn, Tom Corra, Eugene Chadbourne, Toshinori Kondo and others, documented in many albums.
In 1976 he established ICTUS Records, one of the first musician operated labels, recording with Steve Lacy, Evan Parker, Pierre Favre, Derek Bailey, John Zorn, Alvin Curran, Albert Mangelsdorff, Don Cherry and many others. http://andreacentazzo.com/index.htmlMatt Davignon
’s music is “fragile and gorgeous and stubbornly weird,” according to the SF Bay Guardian. He’s best known for combining drum machine and/or pre-recorded voices with a variety of electronic processing devices to create shifting layers of organic and expressive sounds. His music is inspired by field recordings, natural sound phenomena, irregular and imperfect rhythms, and psychedelic, drone and space music.Cost: