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Jacob Lindsay

images/jacob_with_contrabass.jpeg (35350 bytes)

Biography:

Clarinetist Jacob Lindsay was born, lives, and performs in Oakland, California. Although he works in many genres, he focuses on the continuum following the U.S. free jazz movement spawned in the 60's, moving through European non-idiomatic free-improvisation, and globally into its current incarnations. Jacob has participated in the SF Bay Area realization of this continuum since 1995 beginning with early collaborations with bassist Damon Smith.

Jacob works with the full range of clarinets from Contrabass to Ab Piccolo. He combines traditional approaches to the instruments with new approaches based on pragmatic, pre-fabricated methods of sound production and structure.

Jacob has studied clarinet with Ben Goldberg, Jim Freeman, and Mark Brandenburg. He holds a BA in Music from UC Santa Cruz. His early musical education also involved study and workshops with bassist Lisle Ellis. During this time he performed with many groups including regularly with Ben Goldberg's Brainchild and Marco Eneidi's American Jungle Orchestra. More recently he has perfomed with numerous musicians within the Bay Area and beyond, including Wolfgang Fuchs, Aurora Josephson, Scott R. Looney, Kyle Bruckmann, Tony Dryer, Jacob Felix Heule, Philipp Wachsmann, Martin Blume, Boris Baltschun, Serge Baghdassarians, Gino Robair, Phillip Greenlief, Ava Mendoza, and Weasel Walter.

In addition to duties as clarinetist, Jacob has also served as composer and conductor for projects such as Ives and Our America, and the Jacob Lindsay Double Ensemble.

Jacob currently hosts a new music concert series at Soja in Oakland, where he also studies Indonesian, Chinese and Russian martial arts.


Work-In-Progress:

Dryer/Heule/Lindsay
Tony Dryer - Double Bass
Jacob Felix Heule - Drums
Jacob Lindsay - Clarinets

The trio of Dryer/Heule/Lindsay was formed to explore musical territories made prominent in recent years emphasizing quiet and static musical structures. The trio seeks to relate to these new territories through pragmatic application of improvisation and compositional structures, rather than through stylistic imitation. Also of note is the trio's adherance to purely acoustic sound production in a music typically dominated by electronics.

Recently Released by Dryer/Heule/Lindsay: "Idea of West" (creative sources 132)
Read Reviews Here: www.creativesourcesrec.com/reviews/reviews_132.html


Sextet
Kristian Aspelin - Guitar
Tony Dryer - Double Bass
Jacob Felix Heule - Drums
Phillip Greenlief - Saxophones
Jacob Lindsay - Clarinets
Kanoko Nishi - Koto

Sextet continues my investigation of large ensemble improvised music dynamics in a slightly reduced and conductor-less ensemble. The focus is on building an orchestral group dynamic within a collectively improvised setting, including specific investigations of orchestration and dynamics inspired by the lineage of composed and improvised large ensemble musics, physics, metaphysics, and socio-political and community idea(l)s.


Lindsay/Mendoza/Smith/Walter
Jacob Lindsay - Clarinets
Ava Mendoza - Guitar
Damon Smith - 7-String Ergo Bass
Weasel Walter - Drums and Percussion

The quartet of Lindsay/Mendoza/Smith/Walter explores the rock-idiomatic instrumentation of electric guitar, electric bass, and drums, as pitted against clarinets within the context of pan-idiomatic collectively improvised music, including an explicit investigation of volume and "transparent" versus "translucent" stratification.


Yellowcake
Jacob Lindsay - Clarinets
Scott R. Looney - Electronics
Gino Robair - Percussion/Analogue Synth

"In common are the trio's unusually broad palette of sounds from their respective instruments, quick ears, and iconoclasm. Where they really excel is in their ability to augment or finish each other's phrases, and to find and blend complementary sounds...an absolute delight of careening sounds, drama and good humor."
-David Slusser, Transbay Calendar

Electronics and percussion have the capability of being the most wildcard elements in improvised music as the instruments themselves are mutable. Yellowcake was formed with the intention of exploiting the mutable nature of it's instrumentation, as well as encouraging the surprising contributions of each individual through a process of continual evolution in performance.



Selected Discography:

2002, "BOAT" Solo Bb and Bass Clarinet, Artship Recordings Disc 42
2002, "the unstable qualities of three" (bpaltd 101): Aurora Josephson, Jacob Lindsay, Damon Smith
2003, "Zero Plus" (bpa 007): Martin Blume, Aurora Josephson, Jacob Lindsay, Damon Smith, Philipp Wachsmann.
2004, "The Happymakers" (bpa 008): Wolfgang Fuchs, Jacob Lindsay, Damon Smith, Serge Baghdassarians, Boris Baltschun.
2007, "Yellowcake" (BRD057): Jacob Lindsay, Scott R. Looney, Gino Robair
2008, "Jus" (bpa 013): Jacob Lindsay, Ava Mendoza, Damon Smith, Weasel Walter
2008, "Idea of West" (creative sources 132): Tony Dryer, Jacob Felix Heule, Jacob Lindsay

Related Sites:
www.balancepointacoustics.com
www.rastascan.com
www.myspace.com/mryellowcake
www.nowave.pair.com
www.aurorarising.com
www.efi.group.shef.ac.uk
www.bagatellen.com
www.heule.us
www.creativesourcesrec.com
www.sojamartialarts.com




Email: jacobmakesnoise@yahoo.com

CDs on which Jacob Lindsay appears:

ArtistTitleLabelNumber
Jacob LindsayBoatArtship Recordings42
Jacob Lindsay/Gino Robair/Scott LooneyYellowcakeRastascan RecordsBRD 057
JUSJUSBalance Point Acoustics013
the happy makersthe happy makersBalance Point Acoustics008
zero pluszero plusBalance Point Acoustics007