Serving the San Francisco Bay Area New Music Community
Mills College Littlefield Concert Hall
5000 MacArthur BlvdOakland CA
The Center for Contemporary Music.
Monday, October 27 2014 7:30 PM
presents The Hub.
Mills College Ensemble Room
A rare opportunity to hear the band that pioneered laptop ensembles over twenty-five years ago. The Hub will perform a set featuring two new pieces as well as recent works such as "Partial Guidance," "Know-Nothing," "Lou Drift," and "Once."
Coast tradition of composer as instrument builder—redefining music from the ground up—The Hub makes music using electronic and digital systems of their own devising. Producing some of the most imaginative and compelling electronic music ever made, The Hub is perhaps the most infamous electronic ensemble since Musica Elettronica Viva. They currently perform around the world after a seven year hiatus, ending in 2004. The Hub members are
, Scot Gresham-Lancaster, Mark Trayle and Phil Stone, with guest
Saturday, November 1 2014 8:00 PM
IN CELEBRATION OF ROBERT ASHLEY (1930-2014)
A concert honoring the life and work of Robert Ashley, composer, performer, teacher, and Mills faculty (1969-1981).
Robert Ashley (1930-2014), one of the leading American composers of the post-Cage generation, is particularly known for his work in new forms of opera. In the 1960s, during his tenure as its director, the ONCE Festival in Ann Arbor presented most of the decade’s pioneers of the performing arts. With the legendary ONCE Group, he developed his first large-scale operas. Along with Alvin Lucier, Gordon Mumma, and David Behrman, he formed the Sonic Arts Union, a group that turned conceptualism toward electronics. Throughout the 1970s, he directed the Center for Contemporary Music at Mills College, and produced his first opera for television, the 14-hour Music with Roots in the Aether, based on the work and ideas of seven influential American composers. In the early 1980s the Kitchen commissioned Ashley’s Perfect Lives, the opera for television that is widely considered the precursor of “music-television.” Stage versions of Perfect Lives, as well as his following operas, Atalanta (Acts of God), Improvement (Don Leaves Linda), Foreign Experiences, eL/Aficionado and Now Eleanor’s Idea toured throughout the US and Canada, Europe and Asia during the 1980s and 1990s. A new group of operas was begun in 1999 when Kanagawa Arts Foundation (Japan) commissioned Dust, which was quickly followed by Celestial Excursions and The Old Man Lives in Concrete. He wrote and recorded his performance-novel, Quicksand (released in novel form by Burning Books). And his final opera, Crash, was completed in December 2013 for premiere at the 2014 Whitney Biennial Exhibition.
Ashley’s book Outside of Time: Ideas About Music (2009), was published by MusikTexte (available from Lovely Music) and Kyle Gann’s biography of Ashley (2012) was published by the University of Illinois Press. Burning Books has published several of his librettos and a large part of his recorded work is available from Lovely Music.
Excerpts from SHOOT THE WHALE (1971), a Film by Philip Makanna. Soundtrack composed by ROBERT ASHLEY with “BLUE” GENE TYRANNY and COSTANZO
in memoriam … CRAZY HORSE (symphony) (1963) for twenty or more wind or string or other sustaining instruments
: conductor; Music Improvisation Ensemble II, and guests
She Was A Visitor (1966-1967) for speaker and chorus
Steed Cowart: speaker; Contemporary Performance Ensemble, and guests
Title Withdrawn (1976) excerpt, Music theater on video tape
Robert Ashley: voice, electronics, and Polymoog; Mimi Johnson: voice;
David Peterson and Donald Renzulli: signers; Philip Makanna: Director and Camera; Jerry Pearsall: Video Recordist and Technical Director
String Quartet Describing the Motions of Large Real Bodies (1971-1972) for string quartet with electronics
Katharine Austin (Kathy Morton) and Wendy Reid: violins;
Maggi Payne: cello;
The Wolfman (1964) for amplified voice, tape and electronics
Laetitia Sonami: voice;
Ensemble Room 5:00pm-8:00pm
Perfect Lives (1976-1983), an opera for television in seven episodes
Video by John Sanborn. Robert Ashley: solo voice; Jill Kroesen and David Van Tieghem: chorus; "Blue" Gene Tyranny: keyboards; David Van Tieghem: non-keyboard percussion; Peter Gordon: music producer; Paul Shorr: soundtrack producer;
Dean Winkler: video synthesis and video tape editor; Mary Perillo: associate director/producer; Jacqueline Humbert: costumes; Mary Ashley: design collaborator; Carlota Schoolman: producer for The Kitchen
Room 271 (Classroom 1) 7:15pm-8:00pm
In Sara Mencken Christ and Beethoven There Were Men and Women (1972-1973) for tape, voice and electronics
by Robert Ashley and Paul DeMarinis; text by John Barton Wolgamot
Slideshow: archive photographs of That Morning Thing, 1969 performance photography by Dennis Galloway; Music with Roots in the Aether: 1976 production photography by Patricia Kelley; Perfect Lives: 1981 performance photography and slideshow by Maggi Payne
Monday, November 3 2014 7:30 PM
, Kyle Bruckman,
For more than ten years, shudder has cultivated a highly specific, intensely focused ensemble sound, expiring textural sonic landscapes through the compelling instrumentation of reeds and electronics.
Mills College Ensemble Room
Saturday, November 8 2014 8:00 PM
IMPROVISATION: TIM HODGKINSON AND DAN LES ARBRES
Monday, November 17 2014 7:30 PM
UC Berkeley professor, Ken Ueno with the Living Earth Show: quarter-tone electric guitar and quarter-tone vibraphone and vocal multiphonics.
Mills College Ensemble Room
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