Serving the San Francisco Bay Area New Music Community

                 

SIMM Series @ The Musicians Union Hall

116 9th St @ Mission
San Francisco CA   

The Static Illusion Methodical Madness Music Series is a musician run bi-monthly music performance series bringing highly professional and truly adventurous music that would not normally be heard or supported by mainstream presenters. Since 2001 the SIMM Series has been curated by Outsound Presents and local improvisers/composers/sound artists Rent Romus and Bill Noertker. They present a cross section of sound artists and musicians from the experimental improvisation and composition genres.
Alternate Sundays 7:30-10pm
Admission $10-15 sliding scale (unless otherwise stated)
All ages welcome.
The series is an artist-run, grass-roots DIY effort that relies on volunteers. Please contact Outsound Presents to get involved in marketing and project support.
Outsound Presents is a 501(c)3 non-profit volunteer collective of explorative sound artists who support the SF Bay Area new and experimental music scene.
BOOKING
Please read the policies here. Contact Rent Romus for booking and all other inquires.














Principle
Artist-run, volunteer, grass-roots DIY effort
Type of Music Presented
Experimental: new sonic, improvised, noise, electronic, lowercase, avant and improv jazz (most styles), outrock, 21st century composition, and sonic art. See artist list below.
Format

Bi-monthly on Sunday Nights 7:30-10pm
Two acts per night
6:15pm Load-in Setup 7:00pm Door opens

Performances although scheduled for 7:30 may start around 7:45 depending on audience participation.

Booking Lead Time Two to three months in advance
Terms & Policy
100% paid to performing artists.
One comp admission per artist.
No Open Rehearsals. Please be prepared prior to your concert.
No Power tools, or destructive devices of any type allowed. No fire or fume generating devices unless under a controlled environment and is 100% non-toxic. No smoking of any kind allowed in the space.
Facility and Equipment
Sound studio, three tables, seats approx 35.

Piano, drum kit with stands(no cymbals), music stands
Location

Tiny storefront on 9th Street near Market
about 2 blocks from Civic Center Street BART station.
Parking on Sundays is free and normally available along the street. 9th Street is a one way street in the northerly direction.

Do Not Have
Projector, microphones, instrument cables, power strips, sound system
Do Not Provide
No guaranteed payment, guest passes, hotel accomodations, transportation, or a sound person.

(rehearsals should be facilitated by the groups on their own time)
To Book a Gig
Check calendar for date availability.
Submit performance description with proposed dates, brief artist bios, website information and links to audio/video to Rent Romus
Past Performers
Over the course of its Thursday night concerts, the series has presented hundreds of artists drawn from a vanguard roster, among them Biggi Vinkeloe, Cash Killion, Henry Kaiser, Fred Frith, Gino Robair, Wolfgang Fuchs, Karen Stackpole, Gianni Gebbia, Oluyemi Thomas, Eddie Gale, Jim Ryan, Dina Emerson, Jack Wright, Rent Romus, CJ Borosque, Danielle DeGruttola, Bob Marsh, Shoko Hikage, Xome, Randy Yau, Stimbox, and countless others both local and international.

Audience Feedback
"This series in the Musicians Union Hall, 116 9th St @ Mission, SF, reminds me of cozy parties among friends at my favorite yakitori joint, nestled under the Shimbashi Bridge in Tokyo in the night rain… from the outside a few hints of warm light and laughter, on the inside a serious good time. The difference is that, unlike the yakitori joint, the SIMM Series is a spaceship that travels to other musical dimensions.
An acoustic-centered sister of the Luggage Store Series, SIMM has brought the best cutting-edge acoustic jazz and avant-garde musicians in and out of the Bay Area to SF audiences and delivered one musical adventure after another. It's my honor to return to this series."
-Joe Lasqo, pianist
http://www.outsound.org

Upcoming Events:
Sunday, October 22 2017 7:30 PM
7:30 pm The Actual Trio
John Schott - guitar, Dan Seamans - double bass, John Hanes - drums
8:30 pm Trouble Ensemble
Ernest Larkins, voice, Mia Bella D'Augelli, violin
Rent Romus and Joshua Marshall, saxophones, Jakob Pek, guitar
Andrew Jamieson, piano, Tim DeCillis, drums

Formed in 2011 to play a monthly gig at the Actual Café in Oakland, California, this deeply bonded trio exercises virtuoso listening, and brings Schott’s compositions to vivid life. “I feel very fortunate to have John and Dan as partners,” says Schott. “Together, we are committed to the joys of swinging, playing what you hear, being in the moment, and sharing with audiences.”
John Schott graduated from Seattle's Cornish College of the Arts, where he studied with Gary Peacock and Julian Priester. In 1992, he and Ben Goldberg formed Junk Genius, which released records on Knitting Factory and Songlines, as well as in other combinations on Tzadik, Nuscope, and Victo. Schott was also, with Charlie Hunter, Will Bernard, and Scott Amendola, a member of the jazz/funk band T.J. Kirk, whose second album If Four Was One (Warner Bros.) received a 1997 Grammy nomination. Schott's CD Shuffle Play: Elegies for the Recording Angel (New World Recordings) featuring his 16-piece Ensemble Diglossia in a 70-minute composition, was named one of the best records of 2002 by The Wire magazine. Schott can also be heard on records by John Zorn, Tom Waits, The Baguette Quartette, and Steven Bernstein.


"Wade in the water, God’s gonna trouble the water"
Throughout their history, the spirituals have illuminated the spiritual force that “troubles” the “waters” of injustice and oppression, using the power of African and African American music and spirituality. Originally, songs of black American slaves, they are rooted in song, dance and drumming of West Africa, the experience of oppression of an uprooted people, and the teachings of a transformative faith. They “troubled” the oppressive teachings of their society, and their message and tradition continue to “trouble” unjust systems today.

Looking to the tradition of composers and experimenters like Sun Ra, Charles Ives and Pauline Oliveros, contemporary musicians “trouble” the musical establishment and its conventions as they envisioned radical new ways of making and listening to sound. Their traditions are a separate musical “voice” from African American spirituality and the two voices cannot merge into one. They can, however, have a conversation in a musical setting. Trouble Ensemble will creates large group conversation. We perform arrangements of spirituals, where we present a melody, rhythm and text derived from the tradition, along with jagged harmonies, unusual timbres and free improvising.
On this set, we will be featuring brand new arrangements in preparation for our first album, coming next year.
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