Serving the San Francisco Bay Area New Music Community

                 
SIMM Series @ The Musicians Union Hall
116 9th St @ Mission
San Francisco CA   


The Static Illusion Methodical Madness Music Series is a musician run bi-monthly music performance series bringing highly professional and truly adventurous music that would not normally be heard or supported by mainstream presenters. Since 2001 the SIMM Series has been curated by Outsound Presents and local improvisers/composers/sound artists Rent Romus and Bill Noertker. They present a cross section of sound artists and musicians from the experimental improvisation and composition genres.
Alternate Sundays 7:30-10pm
Admission $10-15 sliding scale (unless otherwise stated)
All ages welcome.
The series is an artist-run, grass-roots DIY effort that relies on volunteers. Please contact Outsound Presents to get involved in marketing and project support.
Outsound Presents is a 501(c)3 non-profit volunteer collective of explorative sound artists who support the SF Bay Area new and experimental music scene.
BOOKING
Please read the policies here. Contact Rent Romus for booking and all other inquires.














Principle
Artist-run, volunteer, grass-roots DIY effort
Type of Music Presented
Experimental: new sonic, improvised, noise, electronic, lowercase, avant and improv jazz (most styles), outrock, 21st century composition, and sonic art. See artist list below.
Format

Bi-monthly on Sunday Nights 7:30-10pm
Two acts per night
6:15pm Load-in Setup 7:00pm Door opens

Performances although scheduled for 7:30 may start around 7:45 depending on audience participation.

Booking Lead Time Two to three months in advance
Terms & Policy
100% paid to performing artists.
One comp admission per artist.
No Open Rehearsals. Please be prepared prior to your concert.
No Power tools, or destructive devices of any type allowed. No fire or fume generating devices unless under a controlled environment and is 100% non-toxic. No smoking of any kind allowed in the space.
Facility and Equipment
Sound studio, three tables, seats approx 35.

Piano, drum kit with stands(no cymbals), music stands
Location

Tiny storefront on 9th Street near Market
about 2 blocks from Civic Center Street BART station.
Parking on Sundays is free and normally available along the street. 9th Street is a one way street in the northerly direction.

Do Not Have
Projector, microphones, instrument cables, power strips, sound system
Do Not Provide
No guaranteed payment, guest passes, hotel accomodations, transportation, or a sound person.

(rehearsals should be facilitated by the groups on their own time)
To Book a Gig
Check calendar for date availability.
Submit performance description with proposed dates, brief artist bios, website information and links to audio/video to Rent Romus
Past Performers
Over the course of its Thursday night concerts, the series has presented hundreds of artists drawn from a vanguard roster, among them Biggi Vinkeloe, Cash Killion, Henry Kaiser, Fred Frith, Gino Robair, Wolfgang Fuchs, Karen Stackpole, Gianni Gebbia, Oluyemi Thomas, Eddie Gale, Jim Ryan, Dina Emerson, Jack Wright, Rent Romus, CJ Borosque, Danielle DeGruttola, Bob Marsh, Shoko Hikage, Xome, Randy Yau, Stimbox, and countless others both local and international.

Audience Feedback
"This series in the Musicians Union Hall, 116 9th St @ Mission, SF, reminds me of cozy parties among friends at my favorite yakitori joint, nestled under the Shimbashi Bridge in Tokyo in the night rain… from the outside a few hints of warm light and laughter, on the inside a serious good time. The difference is that, unlike the yakitori joint, the SIMM Series is a spaceship that travels to other musical dimensions.
An acoustic-centered sister of the Luggage Store Series, SIMM has brought the best cutting-edge acoustic jazz and avant-garde musicians in and out of the Bay Area to SF audiences and delivered one musical adventure after another. It's my honor to return to this series."
-Joe Lasqo, pianist
http://www.outsound.org

Upcoming Events:
Sunday, June 3 2018 7:30 PM
7:30pm mumumumumumu
Kim Nucci - saxophone, electronics/Seiyoung Jang - electronics, piano, flute/Alex Cohen - guitar, electronics
8:30pm Noertker’s Moxie
Annelise Zamula – alto sax, flute/Josh Marshall – tenor sax/Bill Noertker – contrabass/Daniel Pearce – drums

Kim Nucci (OAK) is a multi-media artist, composer/improviser and technologist. They perform on saxophone, electronics, voice and live projection. Their research interests most recently are exploring the pedestrian cybernetic body through critically examining our relationship with technology and with our instruments. The are also invested in the exploration of ritualism and trance states in improvisation. They hold an MFA in Electronic Music and Recording Media, an MA in Music Composition from Mills College, a BA in Visual Arts from Bennington College. They were awarded a full scholarship at ACRE residency in 2017 where they studied modular synthesis, video, photo-telemetry and other emerging technologies. They currently teach courses in electronic music at California Jazz Conservatory.

Seiyoung Jang (b. 1993) is a Korean-American composer and maker currently based in San Leandro, CA. She aims to celebrate manifestations of organic forms in resistance against thoughtless sterility, with a focus on inter-/intrapersonal psychological processes, communication, and coloration. She has studied with Matthew Burtner, Judith Shatin, Ted Coffey, Peter Bussigel, Luke Dahl, Pauline Oliveros, John Bischoff, and Laetitia Sonami, among others. Seiyoung's works have been performed at the 2017 SEAMUS National Conference at St. Cloud State University, MN, as well as the 2017 NSEME at Louisiana State University, LA. Seiyoung is currently pursuing a M.F.A. in Electronic Music and Recording Media from Mills College in Oakland, CA and previously obtained a B.A. in Psychology and Music from the University of Virginia in Charlottesville, VA.

Alex Cohen is a guitarist, performance artist, and composer. From 2007-2014, Alex performed regularly with the jazz fusion group Organ Yank. Since relocating to the bay area, Alex’s work has shifted toward the absurd, often involving found objects and homemade wearable instruments. He has performed with Huge Statue of Jesus, Nucci/Cohen Duo, Harbinger, Hamir Atwal, Eyvind Kang, William Wynant, Dennis Franz Kafka, Rent Romus, Chris Brown, Bad Jazz, Paul Mitchell, and Vincent Davis. He holds a BA in Jazz Studies from Oberlin College, and an MFA in Electronic Music and Recording Media and MA in Music Composition from Mills College.  More...

Sunday, June 24 2018 7:30 PM
7:30 pm Lords of Outland
Philip Everett - drums, percussion, electronic autoharp
Ray Schaeffer - electric basses
Rent Romus - alto, soprano, c-melody saxophones, voice, electronics, toys
8:30 pm Levin/Pontecorvo/Pino/Abrams
Elliott Levin - tenor saxophone,flute, poetry, Mika Pontecorvo- guitar, Mark Pino - drums, Kersti Abrams - alto saxophone,North-African reeds, mbira, Eli Pontecorvo - bass


Elliott Levin returns to the bay area for an improvised music/poetry outing. He will perform with some members of Cartoon Justice he payed with at the Lingua Incognita Session set at the "Soundtrack for Film without Camera" event in Philly in early June.
Elliott was a longtime player in Cecil Taylor's ensembles, and has a history being mentored by and playing with Marshall Allen and John Gilmore from Sun Ra Arkestra. In this role Cartoon Justice takes a tangential approach to avant-jazz, filtering the ideas in harmolodics through more earthy/roots-y even punk aesthetic.


"Romus' fiery romp is a no-holds barred exposition. He slices through steel with accuracy and ease, equating to a jovial soundscape, scraped with intensifying solos and Everett's colorific cymbals hits. They galvanize your neural system from start to finish, while projecting a take no prisoners approach throughout." - Glenn Astarita, All About Jazz
Saxophonist, composer Rent Romus started the Lords of Outland in 1994 a collective of like-minded musicians focusing on exploring improvisation, melody, noise, and sound art while acknowledging their jazz, rock, and blues roots. The group has developed original music ranging from unhinged free improvisation to thematic compositional suites inspired by abstract and socio-political poetry, science fiction, horror, and fantasy.  More...