Friday July 3rd: The return of legendary project:
INFRASOUND
Infrasound is a spatial-acoustic concert series, initiated and performed by Randy Yau and Scott Arford with changing guests. The series investigates the possibility of sound, especially low frequencies, to measure the capacity of architecture; it is about the physicality of sound and the physical experience of sound. Each space has its individual resonance, specific frequencies are amplified, others muted. Each space is filled with as much frequency as needed until the space starts playing itself. Things in the space start to vibrate or to rattle. The audience feels the frequencies on their own bodies. Each concert is bound to the architecture of the venue. As an acoustic container, the space becomes a laboratory for experiments.
Caen
Caen is the long-running solo project of Gordon Ashworth, also known for his work with Concern and Oscillating Innards, and a quiet but persistent presence within the international experimental tape underground. Operating far from spectacle, Caen has always been rooted in a private, almost withdrawn practice, where sound is treated less as composition and more as an intimate process of repetition, erosion and time.
EERIÆRMOR
(-)bpm immersive sound mapping. Honoring memory and the moment via sound sculpture and dynamic frequency layering techniques. Solo project of Kevin Gan Yuen member of celebrated project SUTEKH HEXEN
Thomas DimuzioThomas Dimuzio is a composer, musician, mastering engineer and label proprietor based in San Francisco. Long regarded as a musical pioneer for his innovative use of live sampling and studio techniques to create consistently compelling works, Dimuzio has earned a deserved reputation worldwide as an avant-garde sound artist in touch with the aesthetic pulse of time and technology. Effortlessly moving from electro-acoustic and noise to glitch, dark ambient, improv and drone, Dimuzio's eclecticism bespeaks a career equally informed by profound dedication to his craft and collaborations with friends, artists and technologists alike. He will be playing in quadraphonic sound.
Best way in is to enter on Embarcadero and Livingston. Go down Livingston, then go down 22nd ave almost to the very end. You’ll see the brick building. Make a left thru the gate, make a right in the parking lot. Go almost to the very end and unit 14 is on the right
Cost: $15-20