JAMES GOODE is a composer/sound artist living and working in San Francisco. His approach to musical composition takes several forms: quasi-improvisational ensemble pieces guided by a narrative score; pre-recorded electro-acoustic pieces that are given to musicians to learn by ear; site-specific sound installations; and solo electro-acoustic music.
CHRISTOPHER FLEEGER, Computer Music - BARPIECES (Cadastral Layer, Corner Point) Theory runs thick in computer music. Come to think of it, a brisk commerce in signal is a symptom of noisy neighborhoods in general. This is understandable enough. How many other reasonably honest choices are there when confronted with an experience shortage? The whole computing machine dance up until now has been so short -- like a baby accumulating half-truths. Well, if the commonweal's experience-cupboard is bare, then fill it. Should be a perfect playground for fools. When the timbre space goes infinite and has a memory, how do you go about assembling a meaningful piece of time for some particular group of people at some particular place?
Cost: $7-$15