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About Us
Indexical
Tannery Arts Center
1050 River St. #119
Santa Cruz CA 95060
internet@indexical.org
Indexical is dedicated to experimentation in music. Indexical engages the public in radical and unfamiliar work through performance, publication, documentation, educational initiatives, and discussion. We work with historically, culturally, and institutionally underrepresented artists and build community through long-term collaborative projects.
https://www.indexical.org/
Upcoming Events:
27
Jul
Monday, July 27 2026 6:30 PM
Join us for a solo performance by Cabrillo Festival of Contemporary Music Creative Lab commissioned artist Sarah Hennies. In this intimate program, Hennies performs on a set of German cowbells (almglocken), gifted to her by percussionist Michael Ranta from his Cologne shop, Asian Sound. Scholar and educator Madison Heying will lead a post-concert conversation with the artist.
Sarah Hennies
Sarah Hennies (b. 1979, Louisville, KY) is a composer based in Upstate NY whose work is concerned with a variety of musical, sociopolitical, and psychological issues including including queer & trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought. She is primarily a composer of acoustic ensemble music, but is also active in improvisation, film, and performance art. She presents her work internationally as both a composer and percussionist with notable performances at MoMA PS1 (NYC), Monday Evening Concerts (Los Angeles), Warsaw Autumn, Ruhrtriennale (Essen), Archipel Festival (Geneva), Darmstädter Ferienkurse, Time:Spans (NYC), and the Edition Festival (Stockholm). As a composer, she has received commissions across a wide array of performers and ensembles including Bearthoven, Bent Duo, Ensemble Dedalus, The Living Earth Show, Mivos String Quartet, Sarah Saviet/Joe Houston, Talea Ensemble, Nate Wooley, and Yarn/Wire.
Madison Heying
Madison Heying is an educator, scholar, and arts administrator. She is a Lecturer at UC Santa Cruz and a co-founder of Indexical. Her teaching and research focus on experimental music, technology, gender, and the formation of musical communities.
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