Doors That Only Open in Silence (open participation, non-hierarchical workshop in free improvisation)

Monthly series of improvisation research at Temescal Arts Center. Bring your instrument or come to listen. Movement and other disciplines encouraged. No advance notice needed — just show up.

Small groups will be randomly assembled from submitted names immediately before each group plays. Set up before 8:00 and be as ready to play as possible. We try to keep transition time between groups at a minimum. Over by 10pm.

Bring your own gear. As a rule, there are not instruments available to share. Anyone requiring amplification should bring a small amp. It’s recommended to bring an extension cable and power strip if you need power. Outlets and supplies are limited. Get in touch if you have any questions or special requests.

community agreements:
- Open and welcoming attitude.
- Respect for the space, which is an artist-run community resource. (Please show extra care for the recently refurbished dance floor.)
- Respect for other people and their instruments.
- - Be mindful of the personal space you inhabit while performing to ensure no harm is done to any people, instruments, etc.
- - Leave floor space for movement and movers. Secure your instrument when you’re not playing.

7:30 PM (over by 10 PM, see schedule below)
TAC: Temescal Art Center
511 48th Street, Oakland
Donations for the venue rental are encouraged.

7:30 - Load-in — everyone sets up simultaneously.
8:00 - Random trios (or other small groups), about 7 minutes each depending on number of participants.
9:00 - Second round of random trios.
10:00 - Sound must stop.

videos from past editions: https://www.youtube.com/playlist?list=PL_HPASqyjYfIjlxrLSSkeQ6VZHDZNx9DG

mailing list: https://heule.us3.list-manage.com/subscribe?u=9cd317ce9b99ee106279105ed&id=fcc26e79a5
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Doors That Only Open in Silence (open participation, non-hierarchical workshop in free improvisation)

Monthly series of improvisation research at Temescal Arts Center. Bring your instrument or come to listen. Movement and other disciplines encouraged. No advance notice needed — just show up.

Small groups will be randomly assembled from submitted names immediately before each group plays. Set up before 8:00 and be as ready to play as possible. We try to keep transition time between groups at a minimum. Over by 10pm.

Bring your own gear. As a rule, there are not instruments available to share. Anyone requiring amplification should bring a small amp. It’s recommended to bring an extension cable and power strip if you need power. Outlets and supplies are limited. Get in touch if you have any questions or special requests.

community agreements:
- Open and welcoming attitude.
- Respect for the space, which is an artist-run community resource. (Please show extra care for the recently refurbished dance floor.)
- Respect for other people and their instruments.
- - Be mindful of the personal space you inhabit while performing to ensure no harm is done to any people, instruments, etc.
- - Leave floor space for movement and movers. Secure your instrument when you’re not playing.

7:30 PM (over by 10 PM, see schedule below)
TAC: Temescal Art Center
511 48th Street, Oakland
Donations for the venue rental are encouraged.

7:30 - Load-in — everyone sets up simultaneously.
8:00 - Random trios (or other small groups), about 7 minutes each depending on number of participants.
9:00 - Second round of random trios.
10:00 - Sound must stop.

videos from past editions: https://www.youtube.com/playlist?list=PL_HPASqyjYfIjlxrLSSkeQ6VZHDZNx9DG

mailing list: https://heule.us3.list-manage.com/subscribe?u=9cd317ce9b99ee106279105ed&id=fcc26e79a5
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The new August Return the Gift curated series starts off with two great sound artists featuring Thomas Carnacki, and Ven Voisey.


Ven Voisey:

Ven Voisey is a sculptor, composer, and designer who currently splits his time between Oakland, CA and Wonder Valley (Twentynine Palms), CA. His work is informed by an attention to surroundings; he creates rituals, tools and circumstances as a means of exploring the relationship between internal and external space; between the spiritual and physical.


Thomas Carnacki:

Thomas Carnacki is a multi-headed entity engaged in the creation of the subtle, the textural, the disquieting, and the unsettling. Around a core of regulars (generally frequently including Gregory Scharpen, Cheryl E. Leonard, and Gregory Hagan, among others) Carnacki performances and recordings have invited notables such as Carla Bozulich, Carla Kihlstedt, Moe Staiano, Matmos, Andrew Liles, Agnes Szelag, Mariellle Jakobsons, Dawn McCarthy, Kristine Berrett, and M.S. Waldron/irr. app. (ext.) to help till the sonic fields. Carnacki music has raised its head in numerous cinematic, theatre and dance pieces, and other unlikely circumstances. Occasionally other people opine on the sporadic output, the general tenor of which is perhaps well-demonstrated by this sampling: “Ectoplasmic tendrils form unfathomable noises as unknown machines creak, click and rattle…. This is a whole other world where art and the afterlife briefly touch.” (brainwashed.com)
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The new August Return the Gift curated series at Temescal Arts Center continues with three great sound artists featuring Nathan Corder, Kevin Corcoran, and Marielle V. Jakobsons.


Nathan Corder:

Nathan Corder is an Oakland-based composer of works for electronics, objects, and arrays of people. Focusing on translational procedures, transduction, and process-based composition, Corder’s music has been performed throughout the U.S. and abroad. His music has been described as both “something in common with the act of sowing seeds, digging, dragging, foraging, and repeating the process” (Toneshift), and “dizzyingly kinetic sonic events that constantly interlock and overlap… extreme computer music” (Noise Not Music).


Kevin Corcoran:

Kevin Corcoran is a San Francisco based percussionist focused on techniques which extend the sonic range of the drum by emphasizing texture, friction, sympathetic vibration, sustained tones, and the use of found objects. He often works in site-specific approaches and augments percussion with various means of amplification and feedback. Performing in the US, Mexico, Europe and East Asia, Kevin is a frequent collaborator working with musicians, dancers, visual artists, and filmmakers.
www.kevincorcoran.net


Marielle V. Jakobsons:

Marielle V. Jakobsons is an award-winning composer and interdisciplinary artist known for creating immersive, transportive soundscapes. Blending lush synthesizers, expressive strings, and ethereal vocals, her music weaves together minimalistic patterns with deep, melodic emotion. Marielle’s performances often invite audiences into a rich, sensory experience—sometimes even transforming sound into light with her own custom-built instruments, like the mesmerizing “Macro-Cymatic Visual Music Instrument.”
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