greensatan is an electronic music project rooted in improvisation and psychedelia.
The music betrays influences of noise, minimal techno, post avant-garde electronics, genre (horror) film-scores/sound-design.

greensatan is the electronic music project of K. Atchley, rooted in improvisation and psychedelia. The music draws on noise, minimal techno, post-avant-garde electronics, and the sound design sensibility of horror film scores — building immersive, ritualistic sonic environments rather than conventional song forms.
Home Page:
greensatan.comBandcamp:
greensatan.bandcamp.comVexing Shadows (CDBaby):
YouTubeFountains (Auscultare Research):
DiscogsStudy In Brown Noise (Big California Noise Compilation):
BandcampCollaboration with John Bischoff: Sealed Cantus on Aperture (23Five):
SoundohmBeyond composition, Atchley's written and text-based work spans an interpretive score for "14251" in SoundVisions (PFAU Neue Musik, Germany, 2005), the libretto for his opera Edison's Last Project(ION), lyrics for the choral work "Lumiere de Main" (published in the guests go in to supper, Burning Books), and an article on his opera "Don Giovanni" in the Leonardo Music Journal (Vol. 1, 1991). His work was also profiled in The Wire (issue #256).
A new album, fallen STAR, is currently in progress.
greensatan performs and records from the San Francisco Bay Area.